Month: October 2023

Attack of the Jack-O’-Lanterns was originally published in October 1996 (Spine #48) and the series adaptation aired on Saturday, October 26, 1996 (runtime: 22 minutes). In their own way, every Goosebumps book felt like it was about Halloween. Just spooky enough to be exhilarating but never so much so that they ceased to be fun,
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Max Dennison, Dani Dennison, Allison Watts, and Thackery Binx made a triumphant return to Salem last weekend, but it wasn’t the Sanderson Sisters who brought them together in the historic Massachusetts town this time. Actors Omri Katz, Thora Birch, Vinessa Shaw, and Jason Marsden commemorated the Hocus Pocus 30th anniversary with an celebration dubbed It’s Just
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A fresh take on Mary Shelley’s classic horror novel is headed to the screen with Lisa Frankenstein, written by Diablo Cody (Jennifer’s Body) and directed by Zelda Williams. Kathryn Newton (Freaky) and Cole Sprouse (“Riverdale”) are leading the cast for Focus Features, and the official trailer has arrived this morning. Check it out below. Lisa Frankenstein comes to theaters on February 9, 2024.
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There were two major new entries this weekend at the international box office, one local (Tamil thriller Leo: Bloody Sweet) and one from Hollywood. Starting with the latter, Martin Scorsese’s Killers of the Flower Moon from Apple, Paramount and Imperative Entertainment, had a big opening with $21M in 63 offshore markets and No. 1s in
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EXCLUSIVE: EVO Entertainment Group will begin operating as Elevate Entertainment Group (EEG). Simultaneously, the company has acquired Austin-based arthouse chain Violet Crown Cinemas. Elevate Entertainment Group currently operates 15 cinema entertainment centers across the U.S. with an additional four in the pipeline. Violet Crown Cinemas is known for their plush big screen, bar and cafe
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Following Disney’s delay of Marvel Studios’ Deadpool 3 due to the actors strike, Paramount has made changes to next year’s schedule and beyond. Similar to Deadpool 3, Mission Impossible 8 ne Mission: Impossible – Dead Reckoning Part Two needs to restart production, and that is looking unlikely with each day that passes in the SAG-AFTRA
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Broadway box office held steady last week with total grosses for 28 shows tallying up to $28,106,860, with 224,832 ticket buyers paying an average $125.01 per seat. A healthy chunk of those total numbers were contributed by such recent arrivals as Merrily We Roll Along (grossing, for its sold-out week ending Oct. 22, $1,820,753, another
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No one knew how big this was going to be, or is going to be but Universal/Blumhouse’s feature take on beloved horror videogame, Five Nights at Freddy‘s is eyeing a $50M+ start possibly even more. At that level, it’s the second-best opening of this autumn’s B.O. behind Taylor Swift: The Eras Tour ($92.8M). Note the
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Imax CEO Rich Gelfond predicts the long SAG-AFTRA strike will settle relatively soon. If, instead, it drags on, theater chains will face a rocky second half of 2024 but he sees the large-format exhibitor standing apart. “An exhibitor who programs a multiplex needs lots of movies,” he told Wall Streeters after Imax reported a record
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Renaissance: A Film By Beyoncé, the theatrical release chronicling Beyoncé’s global world tour, will premiere in Los Angeles Nov. 25 and London Nov. 30 before hitting movie theaters around the world December 1. Tickets will be available Nov. 9 in most international markets including Africa, Asia, Australia, Europe, South America and the Caribbean, Parkwood Entertainment and
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Kendra Winchester is a Contributing Editor for Book Riot where she writes about audiobooks and disability literature. She is also the Founder of Read Appalachia, which celebrates Appalachian literature and writing. Previously, Kendra co-founded and served as Executive Director for Reading Women, a podcast that gained an international following over its six-season run. In her
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These days, wearing the right wireless headphones is as much about making a fashion statement as it is about beaming the latest can’t-miss podcast directly into your synapses. They’re a bona fide accessory, as worthy of consideration as wearing the right type of shoes (well, almost). But with in-ear models often considered ugly and over-ear
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