Movies

In a rare situation for a Disney tentpole, particularly a live-action title based on a treasured classic animated musical, The Little Mermaid looks to bank more at the domestic box office ultimately than overseas, with $300M-$350M U.S./Canada to $260M abroad. At that level, per finance sources, off a reported $250M production cost and $140M global
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Talk about legs — or, more appropriately, wings: Paramount/Skydance’s Top Gun: Maverick is still playing in Japanese cinemas a full year on from its debut. Continuing on from a stratospheric and super-leggy run, the sequel, on its 365th day of release, became Tom Cruise’s biggest film ever in the market. In doing so, it overtook
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Refresh for latest…: Disney’s live-action take on The Little Mermaid is doing swimmingly at the domestic box office, with a three-day opening of $95.5M and a four-day projection of $117.5M. Factoring in the international box office bow of $68.3M, that makes for an estimated $163.8M global debut through Sunday. The offshore launch is lower than
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Refresh for latest…: Apart from big new opener The Little Mermaid, which we detailed here, this weekend was notable for propelling Universal’s Fast X past the $500M mark globally, and Disney/Marvel’s Guardians of the Galaxy Vol. 3 to over $730M worldwide. The Fast & Furious franchise had, earlier this week, crossed $7B globally while the
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Jodi Benson‘s looks over the years are out of this world! Watch and you’ll see … a 38-year-old version of the first ‘Little Mermaid’ looking absolutely fin-tastic at the premiere of “The Little Mermaid II: Return to the Sea” in Hollywood, California back in 2000 (left). This was over a decade after the release of
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The arthouse box office hasn’t recovered quickly post-Covid, but one of the oases for the sector, even by pre-pandemic benchmarks, has always been a Wes Anderson movie. This summer we have his latest all-star absurdist comedy, Asteroid City, which just premiered at Cannes, which begins its limited run on June 16. How big has Anderson
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Disney’s return to live-action takes of their animated vault in the fullest theatrical form happens this weekend with Rob Marshall’s The Little Mermaid which is eyeing a $180M worldwide start. The majority of that number will be made stateside with $120M for the four-day Memorial Day weekend holiday, and around $100M over three days. At
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Broadway box office for the 2022-23 season – the first full season since the industry’s return from the Covid closure – reached $1,577,586,897, a big increase over the last two hard-hit seasons but still about 14% lower than the pre-pandemic high of $1.8 billion. Figures released today by the Broadway League indicate that total attendance
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