Horror

“Every time I survived a war zone, I thought I was sending a warning home: don’t do this,” Kirsten Dunst’s veteran photojournalist Lee tells another in Civil War. “But here we are.” The sentiment sums up writer/director Alex Garland‘s anti-war messaging, told through a visceral assault on the senses as it plunges its characters on a road trip
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There’s a lot to appreciate about co-directors David Zellner and Nathan Zellner‘s unique cryptid comedy, Sasquatch Sunset. A slice-of-life chronicling of a nomadic sasquatch family, possibly the very last of their kind, bridges the short gap between humans and cryptids in its showcasing of family drama to comedic effect. That the fiercely committed cast remains completely unrecognizable under head-to-toe prosthetics
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Writer/Director Tilman Singer continues his streak of experimental high-concept horror with his sophomore effort, Cuckoo. The filmmaker boldly marches to the beat of his own drum, examining heady themes of grief, reproduction, and gendered expectations through inventive, playful horror. That Cuckoo plays it fast and loose with details and plotting means that this body horror entry will likely polarize,
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Chances are high, if you’re here, that you’re familiar with the names Justin Benson and Aaron Moorhead, the filmmakers behind Spring and The Endless. Prepare to add one more name to that list: Benson & Moorhead’s longtime editor Michael Felker, set to make his feature debut with upcoming sci-fi thriller Things Will Be Different. Things Will Be
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Bill Skarsgård (IT) takes over the iconic role of Eric Draven in Lionsgate’s new reboot of The Crow, and we’ve learned that the official trailer will release tomorrow, March 14. While you wait, check out a short – and bloody – little teaser below… The Crow reboot will release in theaters on June 7, 2024. [Related] ‘The Crow’ Flies
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Bigfoot isn’t the only elusive cryptid in horror. Director Kourtney Roy‘s feature debut, Kryptic, centers around an amnesiac in pursuit of a missing cryptozoologist and the Canadian cryptid she was pursuing. Don’t expect a straightforward approach to this cryptid tale, though. Kryptic earns its title and then some, unfurling an esoteric psycho-thriller that uses its forest dwelling
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One of my all-time favorite movie quotes comes from David Arquette as Dewey Riley in Scream 2 when he says, “How do you know that my dimwitted inexperience isn’t merely a subtle form of manipulation, used to lower people’s expectations, thereby enhancing my ability to effectively maneuver within any given situation?” There’s something about Land
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The classic horror franchise The Omen returns to theaters with 20th Century Studios movie The First Omen, and a brand new 30-second TV spot has been unleashed this week. Nell Tiger Free (“Servant”) stars in The First Omen. Watch the new TV spot below, which features some new footage and promises “the most terrifying movie of the year.” The
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Bigfoot isn’t the only elusive cryptid in horror. Director Kourtney Roy‘s feature debut, Kryptic, centers around an amnesiac in pursuit of a missing cryptozoologist and the Canadian cryptid she was pursuing. Don’t expect a straightforward approach to this cryptid tale, though. Kryptic earns its title and then some, unfurling an esoteric psycho-thriller that uses its forest dwelling
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The attention-grabbing opening scene in writer/director Benjamin Finkel’s Family effectively establishes the film’s peculiar, esoteric, yet bone-chilling tone. Evoking Relic or Ari Aster’s Hereditary, the cold open sees preteen protagonist Johanna (Cameron Dawson Gray) banging on the locked doors of a synagogue, pleading to be let in, only for her mother, Naomi (Ruth Wilson), to stalk across the lawn,
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Writer/Director Damian Mc Carthy‘s sophomore effort, Oddity, serves as a welcome extension of his feature debut, Caveat, in many ways. Aside from the brief return of at least one familiar face and a nightmare bunny, Oddity continues the filmmaker’s exploration of supernatural karma and retribution with offbeat characters and a unique vision for scares. Armed with a tighter narrative, a
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You can never underestimate the power of hearsay. Sometimes, something sounding like it could be true is enough to convince people that it must be. And while this phenomenon can have disastrous real-world consequences when applied to science and politics, it’s also responsible for some memorable instances of collective storytelling. From hook-handed murderers to gerbils
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Writer/Director Damian Mc Carthy‘s sophomore effort, Oddity, serves as a welcome extension of his feature debut, Caveat, in many ways. Aside from the brief return of at least one familiar face and a nightmare bunny, Oddity continues the filmmaker’s exploration of supernatural karma and retribution with offbeat characters and a unique vision for scares. Armed with a tighter narrative, a
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The early days of the pandemic were like living in some unholy vortex. Stores were indefinitely shuttered. The streets were eerily abandoned. And the threat of COVID lurked around every corner. While it has been four years since those rudimentary times, and we’ve returned to some normalcy, the danger still exists in hushed whispers and
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Chances are high, if you’re here, that you’re familiar with the names Justin Benson and Aaron Moorhead, the filmmakers behind Spring and The Endless. Prepare to add one more name to that list: Benson & Moorhead’s longtime editor Michael Felker, set to make his feature debut with upcoming sci-fi thriller Things Will Be Different. Things Will Be
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The Curse of Bridge Hollow and Fantasy Island director Jeff Wadlow’s Imaginary adheres to the time-honored tradition of transforming make-believe childhood pals into sinister manifestations that torment their abandoners. Here, a cuddly teddy bear named Chauncey harbors dangerous resentment for being forgotten, igniting a wave of terror for an unsuspecting family. If only that terror extended to the audience experience. A
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Prolific genre filmmaker Takashi Miike (Audition, Ichi the Killer) quietly released short film “Midnight,” based on a manga by Osamu Tezuka, on Apple’s YouTube channel yesterday. And that’s not even the most impressive part: per THR, the filmmaker shot the thrilling short on an Apple iPhone 15 Pro. Watch “Midnight” below. The short film “centers on a late-night taxi driver
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When unidentified parasites violently take over human hosts and gain power, humanity must rise to combat the growing threat in Netflix horror series “Parasyte: The Grey.” From Train to Busan and Hellbound director Yeon Sang-ho, the Korean sci-fi horror series is based on the legendary Japanese manga Parasyte (Kiseijuu) by Hitsoshi Iwaaki. It’s coming to Netflix on April 5. Watch
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