Movies

SATURDAY UPDATE: Black Panther: Wakanda Forever‘s second weekend is coming in lower than its projected $70M+ with $66M, -64%. That’s not necessarily something to get worried about, however, as sources keep telling me this pic’s running time is what’s slowing it down a bit. On the bright side, it’s Thanksgiving week, and if people aren’t
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“The donkey is cute, but this is not a Disney movie,” said Jonathan Sehring, the former IFC Films head whose young distribution outlet Sideshow, with Janus Films, presents Jerzy Skolimowski’s Cannes Jury Prize winning EO at two NYC theaters this weekend. “We launched Sideshow for great movies that would otherwise get overlooked to give them
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Eddie Redmayne was the center of the Fantastic Beasts movie trilogy for three blockbuster films. When shooting a magical franchise, the actors are certainly put through the ringer. Whether it’s working through the awkwardness of holding a magic wand for the first time, or reacting to CGI elements added later in the production process, it’s
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MONDAY AM: Black Panther: Wakanda Forever is higher this morning with a $181M opening, still a domestic debut record for the month of November. Sunday came in a million higher than what Disney was expecting at $40.5M (vs. $39.5M), a 28% ease from Saturday’s $56.5M. As we mentioned previously, a robust theatrical window is ahead,
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The Fabelmans grossed an estimated $160k this weekend at four theaters in NY and LA. That’s a $40K per screen average, on par with recent strong (for post-Covid) specialty openings like The Banshees Of Inisherin (at $45k PSA) and Tár (also $40k), both on four screens too, reflecting a definite pickup in the specialty space. Spielberg’s written, directed
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SATURDAY UPDATE: Disney/Marvel’s Black Panther: Wakanda Forever added seven material offshore markets on Friday, including the UK, Spain and Japan. Through yesterday, the international box office cume is $64.7M. Globally, including domestic’s strong performance out of the gate, the cume through Friday is $148.7M.  We are now eyeing an overseas launch weekend in the $140M
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Universal Pictures is giving Steven Spielberg’s The Fabelmans a platform release starting with four locations in NYC (Lincoln Square, Union Square) and LA (The Grove, Century City) with a robust media campaign aimed at cinephiles, but also capitalizing on the broad appeal of a Spielberg production, testament to unusual pedigree of the semiautobiographical film. It premiered in
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Editor’s note: Deadline presents the 39th episode of its video series Take Two, in which Pete Hammond and Todd McCarthy tackle the artistry of films just opening in theaters every weekend. Each has reviewed and written about the craft for decades and built a remarkable breadth of knowledge of films past and present. What we hoped for
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Christmas season is right around the corner, but there’s only another week to go until we reunite with Santa Claus… well, a specific version of Santa Claus. Tim Allen is back as the bearded gift-giver in The Santa Clauses, the miniseries that will stream exclusively to Disney+ subscribers. Allen last played Scott Calvin in 2006’s
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Snoop Dogg‘s life story will soon be everybody’s entertainment on the big screen!!! Tha Doggfather announced Wednesday his biopic would mark the 1st production for his newly-minted Death Row Films with famed director Allen Hughes of Hughes Brothers’ fame set to direct. “Black Panther: Wakanda Forever” co-writer Joe Cole will pen the script and Snoop
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